|
1 |
T. E. Hulme: "Romanticism and Classicism"
|
|
2 |
Hegel, Hegel, Introduction to Aesthetics. Symbolic, Classical, and Romantic Art
|
|
3 |
‘Shape’ versus ‘Form’; Mechanical Fancy and Organic Imagination
|
|
4 |
Wordsworth: Preface" to Lyrical Ballads; "The Convict", "The Mad Mother"
|
|
5 |
Coleridge: Chapter IV of Biographia Literaria, "The Rime of Ancient Mariner"
|
|
6 |
Shelley: A Defence of Poetry; "Ozymandias", "The Mask of Anarchy"
|
|
7 |
Keats: "Ode on Melancholy", "The Eve of St. Agnes", "Negative Capability" (Letter to his brothers, 21 Dec. 1817)
|
|
8 |
Mid-term Exam
|
|
9 |
Byron: Don Juan (Dedication, Canto I), “Giaor”
|
|
10 |
Blake, The Marriage of Heaven and Hell
|
|
11 |
John Clare, "I Am", "Mouse's Nest", "Clock a Clay"
|
|
12 |
Romantic Irony: Wordsworth (Book 7, the beggar episode), Byron, Don Juan (The Harem Episode)
|
|
13 |
Mary Shelley, Frankenstein
|
|
14 |
Revolution or Reform? The Cenci by Shelley
|
|
15 |
Final Exam
|
|
16 |
-
|
|
17 |
-
|
|
18 |
-
|
|
19 |
-
|
|
20 |
-
|