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Yardımcı Kaynaklar
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Berger, John; 1972. Ways of Seeing. BBC and Penguin Books: London.
Carrier, David; 2003. “Art history” in Critical terms for art history, 174-187.
Collins, Desmond and John Onians; 1978. “The origins of art” Art History 1: 1-25.
Grabar, Oleg; 2001. Mostly miniatures: an introduction to Persian painting. Princeton: Princeton University Press.
Haydaroglu, Mine (ed.); 2004. I, Mehmed Siyah Kalem: Master of humans and demons. Istanbul: Yapi Kredi Yayinlari.
Heidegger, Martin; 1971. “Building dwelling thinking,” in Poetry language thought. A. Hofstadter (trans.). New York: Perennial Classics, 141-160.
Kostof, Spiro; 1995. “The study of what we built” in A history of architecture: settings and rituals. New York: Oxford University Press, 3-19.
Nelson, Robert S. and Richard Schiff (eds.); 2003. Critical terms for art history. The revised 2nd edition. The University of Chicago Press: Chicago.
Nelson, Robert; 1997. “The map of art history” The Art Bulletin 79: 28-40. (Handout).
Norberg-Schulz, Christian; 1996 (1976). “The phenomenon of place” in Theorizing a new agenda for architecture: an anthology of architectural theory 1965-1995. Milan: Skira, 412-428.
Panofsky, Erwin; 1991. Perspective as symbolic form. Translated by Christopher S. Wood. Originally published as Perspektive als ‘Symbolische Form’ (Leipzig-Berlin 1927). New York : Zone Books; Cambridge, Mass. : Distributed by the MIT Press.
Reigl, Alois; 1982. “The modern cult of monuments: its character and its origin,” Oppositions 25: 21-51.
Donald Preziosi, “Art History: Making the Visible Legible,” and “Art as History” in The Art of Art History (Oxford: Oxford University Press, 1998), 13-30.
Svetlana Alpers, “Is Art History?” Daedalus 106, no. 3 (1977), 1-13.
Donald Preziosi, “The Question of Art History,” Joel Snyder, “A Response to Donald Preziosi,” and Preziosi, “A Rejoinder to Joel Snyder,” in Questions of Evidence: Proof, Practice, and Persuasion Across the Disciplines, eds. James Chandler, Arnold I. Davidson, and Harry Harootunian (Chicago: Univ. Chicago Press, 1994), 203-40.
Paul Shepheard, What is Architecture?: An Essay on Landscapes, Buildings, and Machines (Cambridge, Mass.: MIT Press, 1994), 10-16, 74-79, 83-86.
Le Corbusier, Towards a New Architecture, trans. Frederick Etchells (New York: Dover, 1986), 175-98.
Katherine Taylor, “Architecture’s Place in Art History: Art or Adjunct,” Art Bulletin 83, no. 2 (June 2001): 342-46.
G. W. F. Hegel, Aesthetics: Lectures on Fine Art, trans. T. M. Knox, vol. 1 (Oxford: Clarendon Press, 1975), 73-90.
Heinreich Wölffin, Principles of Art History, trans. M. D. Hottinger (New York: Dover, 1950), 1-40.
Henri Lefebvre, The Production of Space (Malden, MA: Blackwell, 1991), 33, 68-99.
Helen Hills, “Convents and Conflict: Conventual Urbanism in Naples,” and “Conventual Optics of Power,” Invisible City: The Architecture of Devotion in Seventeenth-Century Neapolitan Convents (New York: Oxford University Press, 2004), 120-60.
Summers, David; 2003. Real spaces: world art history and the rise of Western modernism. New York: Phaidon, 508-526.Ernst Gombrich; Sanatın Öyküsü", E.Gombrich; “Sanat ve Yanılsama”, E.Gombrich; “The Sense Of Order”, Heinrich Wolfflin; “Sanat Tarihinin Temel Kavramları”,
“Art Through Ages, An Encyclopedia of Art”, Herbert Read; “Sanatın Anlamı”, Ernst Fisher; “Sanatın Gerekliliği”, Ismail Tunalı; “Estetik”, Ismail Tunalı; “Grek Estetiği”, İsmail Tunalı; “Sanat Ontolojisi”, Afşar Timuçin; “Estetik”, F.W.G.Hegel; “Estetik Dersleri”, Schiller; “İnsanın estetik Eğitimi Üzerine Bir Dizi Mektup”, Wilhelm Worringer; “Soyutlama ve Özdeşleyim”, Avner Ziss; “Estetik”, Erwin Panofsky; “İkonoloji Çalışmaları”, E.Panofsky; “Skolastik Felsefe ve Gotik Mimarlık”, Titus Burckhardt; “İslam Sanatı, Dil ve Anlam,” Oleg Grabar; “İslam Sanatının Oluşumu”, David Talbot Rice; “Islamic Art”, Suut Kemal Yetkin; “İslam Ülkelerinde Sanat”, Celal Esat Arseven; “Türk Sanatı”, Doğan Kuban; “100 Soruda Türk Sanatı”, D.Kuban; “Sinan’ın Sanatı ve Selimiye”, D.Kuban; “Divriği Mucizesi”,,M.Cezar; “Anadolu Öncesi Türklerde Şehir ve Mimarlık”, G. Vasari; Büyük Ressamların Yaşam Öyküleri”, Jacop Burckhardt; “İtalya!da Rönesans Kültürü”, Ekrem Akurgal; “Anadolu Uygarlıkları”,
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